This autobiography is a general selection of the most outstanding facts of my life that have become in to vertices of my professional development as a visual artist.  At no time presented as a curriculum because some of them are not the result of events that today could be demonstrable, in the majority are not the awards outcome ,

grant bestowals, recognitions, etc., and only very few of them are recoverable through a document to certify it.

They nonetheless have value, on the contrary are the foundation which supports the work I do today, the uniqueness of this document is that this one do not measure with the ordinary formula my professional development but its dimensions measurement the effects of those intangibles that trigger the tide of events that gives cause to what I am and what I do.

Starting the sophomore of the preliminary school (1983) awoke in me an overwhelming need for expression through a creative streak, streak that was matched by optional workshops that brought the institute, during those two years I was dedicated to discovering the bases of the creation and production process through the design cycles. This search   was fueled and enriched by three years of the design college, (1985- 1988) specially the last period were I was in direct contact with the world of materials and process.

 It is during this period that the backstage design theorists, the compositional process as well as conceptual and discursive, perceptual and aesthetic analysis are taking shape in my growth and production. The next years (1990-2001)by the carpenter workshop, as well as framing houses that I developed the capabilities and technical skills,  besides having the opportunity to acquire the necessary knowledge of these skills .  During this period bit by bit the pure aesthetic need made its own, as it can be seen in the transit of the Watercolours National Museum  Academy ( 1991-1993) or in the myriad of  drawings, sketches  and watercolours realiced until 2000 year which formally closed my previous work and I decided to launch in this new venture of ART (with capital lettre).

 At the beginning of took the decision to transfer what I've done as a technician and put it to work only as an artistic producer, so that for the last quarter change of residence laid down in the city of Zacatecas and start from the ground, my project self-development as an visual artist. It is in this initial step (2001-2003) where I realized  the series of drawings and watercolors of the urban landscape, gradually leading them to a discourse that combines the baroque, symbolism and even some accents of romanticism (as seen in the Ave. Hidalgo, Gonzales Ortega Market and certainly in Dn. Fernando and the Dragon), also in this period I go from the traditional perspective to the poly-angle (see studies of poliangularidad-David Alfaro Siqueiros-) and then to the multipolar, also studying composition in a practical way in  large-scale works ( Sto. Domingo Square and Parade Ground). It is

  thanks to that, emerges the formal search for spatial composition, so I travel several times to study the ways and solutions that bring national and foreing artists  ( David Alfaro Sequeiros, José Clemente Orozco, Barragán, Chillida, Sebastián, among others) as well as to understand the color and mass speech and the expression of forms and textures that stamp me specially  Pedro Coronel art works.  Are of these years (2004-2005) diverse proposed  studies for a mural and varius paitn-sculptures (mussing of Bacchus, behind me nothing, the kidnapping of Sta. Monica, and trasmutation) and in regard to the spatial and color other piecessuch as the serie of the death or Zacatecas round. Ending 2005 as a result of our work as young creators,  and for more interrelationship with loccal artists and entrepreneurs, Karla and I decided join to  our  personals  proyects a new  effort,  it  was